Here comes 2022

Here comes 2022 at Writing with Labradors, though it’s arriving a little late. Many apologies, and Happy New Year to you all. In many ways, though, the fact that I’m late with my usual New Year’s greeting is in keeping with the whole of the past year. I had such big plans for 2021 and very few of them came to fruition. Mired down in the misery of restrictions, and beset by family difficulties, it’s been a slow year here at Writing with Labradors and at times, I’ve felt like a complete disaster. Still, things are steadily improving and it’s good to look back because it reminds me there have been some highs as well as lows during this year.

#Low. Restrictions didn’t go away. Instead, we had more lockdowns and vaccine passports

#High. Vaccines mostly work.

#Low. My sister became very ill after her vaccine, and I couldn’t go to see her.

#High. She’s slowly improving, and I’ve seen her now.

#Low. Three of the five members of my family had covid at different times despite being vaccinated.

#High. None of them were really ill.

#Low. All my planned research trips were cancelled due to restrictions.

#High. Once I could travel to the UK, I organised my very own writer’s retreat which was absolutely brilliant and improved everything.

#Low. I didn’t manage to publish a book last year, for the first time since I began publishing.

 

#High. I finished book 7 of the Peninsular War Saga and it’s currently with my editor, so will be out very soon.

#Low. Writing this year has been difficult.

#High. I published my usual three free short stories this year, plus a bonus one in the spring. For Valentine’s Day, we had A Winter in Cadiz, a romance set during Lord Wellington’s brief trip to Cadiz in the winter of 1812-13. My spring story was The Pressed Man, a story of the fourteen-year-old Paul van Daan’s impressment into the Royal Navy. For Halloween, there was an Inescapable Justice, a ghostly tale of bloody mutiny set aboard a Royal Navy frigate. And for Christmas, a favourite Peninsular War Saga character discovers a new responsibility and the merest hint of a future romance, in The Gift.

#Low. I’ve been struggling with chronic pain due to arthritis, and in the current situation, there isn’t a chance of any treatment.

#High. For the first time I have published a short story in an anthology. Hauntings is a collection of ghost stories by writers from the Historical Writers Forum and came out for Halloween last year. (Yes, I did have to come up with two ghost stories in one year. Don’t judge me.) My offering, An Unquiet Dream, is a spooky tale set in an army hospital in Elvas in 1812 and features a regular minor character from the Peninsular War Saga.

 

 

 

#High. I was also asked to be part of an anthology of short stories edited by Tom Williams (author of the Burke novels and the Williamson books) which will be published this year. The story is called The Recruit and is set in Ireland during the 1798 rebellion. (I see my regulars with their ears pricking up there. “Really? Who could that be about?”)

#High. My immediate family are great and doing very well. My son and his girlfriend are settled in their jobs and looking to move out soon. My daughter is in her final year studying history at the University of York and is getting firsts so far.

#High. Alfie. After a long period of Oscar holding the fort alone at Writing with Labradors and doing a splendid job, we welcomed our new baby into the family in May, and despite his well-deserved nickname of the Chaos Demon, he has proved to be a valued and much adored member of staff.

#High. I had a great time with the Historical Writers Forum last year, including taking part in a panel to talk about writing battles in historical fiction.

 

#High. Oscar. Still my baby, and possibly the most well-behaved Labrador in the country.

#High. You see, this is why it’s really good to actually write out a list of highs and lows of the past year. Because I ran out of lows, which pretty much proved that despite everything, my life is good.

There’s one very big low that I’ve not included as part of the list because it would be crass to do so. In August, after several years of watching them struggle and a year of frantic anxiety during Covid restrictions, we finally managed to persuade my in-laws to move to the Isle of Man on a trial basis.

Sadly, it didn’t go as we’d hoped. They’d left it too late, and it was very quickly clear that my mother-in-law’s dementia had got significantly worse, while my father-in-law was very unwell. Malcolm died suddenly on 30th October, of a massive heart attack, and after a difficult period, Irene returned to London to go into a care home near her daughter. The funeral was held just two weeks before Christmas.

I miss Malcolm. He was only here for a few months, but I got very used to him being around. From the earliest days of my relationship with Richard, almost thirty years ago now, Malcolm and I had a special bond. He shared my enthusiasm for history, and years ago, before I’d ever published, he bought me my first biography of Wellington, the Longford one, from a second-hand book shop. He got on well with my parents, although they didn’t meet that often, and he adored his grandchildren. He loved books and music and was interested in current affairs. He also loved technology, especially cars, and when he was younger, he could fix anything. Before I was even married, he took me for a day out to Silverstone, to watch a Formula One Grand Prix, and we had a fabulous time.

Malcolm was kind and funny and was unbelievably proud to have a daughter-in-law who was an author. One of his last acts was to blag a free copy of An Unconventional Officer for a doctor at Nobles Hospital who had been good to him during a recent stay. His favourite spot, when visiting, was my reading corner in my study. He loved the armchair and would sneak in when he got the chance and take an afternoon nap or browse through one of my books while I was working.

Richard and I went to London with a van to collect some of their possessions when we still thought they might make a go of living over here. I rather fell in love with a beautiful collection of wooden boats that Malcolm had in his study and mentioned how much I liked them as we were unpacking. To my surprise and delight, he insisted on giving them to me, to go with my wooden model of the Victory in my study. They look beautiful, and I feel as though there’s a little part of him sharing my workspace still. I’m working on a proper obituary for Malcolm. He had an interesting life, and I’d love to share it with people.

The end of the year was sad, and it wasn’t helped with two family members having covid over Christmas, though neither had anything more than cold symptoms. By New Year’s Eve, both were clear, which meant we could host what is rapidly becoming our traditional young people’s New Year Party. The kids all had a great time and we drank a toast to Malcolm at midnight.

And now it’s 2022 and we’re still struggling to sort out care homes and financial matters for Richard’s mum, which is even harder long distance. I’m trying to look ahead into 2022 and be hopeful, but I think I’m a lot more cautious than I was at the beginning of 2021. I think back then, with the vaccine in the offing, I was naively hopeful that the world would begin to calm down. This year, I’m less sanguine. The wounds left by the past few years are going to take a while to heal but heal they will. History suggests they always do eventually.

I’m hopeful for myself, though. I feel as though I’ve got my enthusiasm back for my writing, and my brain is teeming with ideas. I’m looking forward to Tom’s anthology coming out, and I’m excited for the publication of An Indomitable Brigade. Currently I’m finishing the edits for the rest of the paperbacks, and then I’m returning to This Bloody Shore, which is book three in the Manxman series.

At the beginning of last year, I had a long list of things I wanted to achieve during the year. This year, I’m reluctant to come up with a list, and yet looking at this blog post, although I didn’t manage to get the book out, I was very close, and I did manage quite a lot in very difficult circumstances.

So here goes. This year, I’d like to finish the paperback edits once and for all. I’ve got An Indomitable Brigade coming out very soon, and Tom’s anthology, and I’m determined to finish This Bloody Shore by the end of the year. I’ll be writing my usual three free short stories, and I’ve been asked to write another episode from Paul van Daan’s boyhood, which I’d love to do. I also have an invitation to write a story for another anthology which is completely out of my period and out of my comfort zone. It will be a challenge, but I’d quite like to give it a go, so we’ll see if it comes off.

I’d like to travel again. I dream of going to Castro Urdiales or Tarragona or Santander or Gibraltar, but I’m not prepared to book until I’m very confident I won’t be caught up in some last-minute lockdown. This year I suspect I’ll confine my travels to the UK, and possibly Ireland. After the restrictions of the last two years, even that will seem like a blessing.

In the meantime, Happy New Year from all of us at Writing with Labradors. I know all of you will have had your highs and lows this year, and many will be a lot worse than mine. Thank you all so much for your support and enthusiasm and your sheer love of the books, the characters and the history. Let’s hope things improve steadily through 2022.

A Writer’s Retreat

A Writer’s Retreat

Trying to write in the middle of a busy household with a couple of Labradors and an over-developed sense of responsibility, I’ve often dreamed of going on a Writer’s Retreat. I’m sure many of my fellow writers feel the same way. After yet another week where writing plans have sunk without trace in a round of supermarket shopping, dealing with elderly relatives, proofreading essays and cleaning the dogs’ ears, I love the idea of a few days of peace and quiet in lovely surroundings with nothing to do but write. I’ve never done it though.

I’ve come close a few times. I used to volunteer to cat-sit for my sister, who lives in a very beautiful place, and I certainly took the opportunity to catch up on work while I was there. Somehow though, it was still never the haven I dreamed about. I’ve taken off on research trips on my own many times, but those tend to be a frantic round of getting to the places I wanted, taking photographs and making notes. It would almost have felt too self-indulgent to spend the day sitting doing nothing but writing.

Organised writers’ retreats look very appealing, but many of them seem very expensive. Besides which, they generally include other writers. I know myself too well, and the opportunity to sit and talk writing, history and general nonsense with a group of like-minded people would be irresistible. They’d be a lot of fun, but I’d get nothing done.

The second half of 2021 was hard for me. It is well recorded elsewhere on this blog that I didn’t do well with lockdown and restrictions, and although I would have loved to book a research trip somewhere in Europe, I didn’t trust that these wouldn’t be reinstated at a moment’s notice. Richard managed a couple of cycling trips to the UK, and we had some friends to stay the moment restrictions lifted enough, but I was miserable. The only trips I made to the UK were necessary family visits and none of them were particularly restful. We had been having a lot of problems with my elderly in-laws who had recently moved to the island and I felt as though my life had become one long round of hospital visits and troubleshooting phone calls.

2021 was also the first year since I began publishing that I didn’t manage to get a book out. Back in October, it seemed as though I wasn’t even going to get close to it. I knew what I needed to do, and the book was going well, but I couldn’t get enough time to work on it. I was frazzled and seriously burned out and I needed a break, but I had no idea where I wanted to go or what was practical in the post-Covid world.

Burnout is one thing, but the annual Halloween short story was due, and I had an idea for a story set during Captain Hugh Kelly’s younger days, when he was newly promoted to captain of a frigate. My research so far has all been based around the 74-gun Iris, but I wanted information about one of the smaller, faster ships which made stars of the navy captains. A quick spell of internet research introduced me to HMS Trincomalee, the oldest warship still afloat in Europe.

The Trincomalee looked gorgeous and was located in the Museum of the Royal Navy in Hartlepool, something I didn’t even know existed. I did a bit of research and decided that I absolutely wanted to go there, and sooner rather than later. I was actually very excited. It’s been two years since there was a very real prospect of me travelling anywhere to do something just for myself, and the sheer joy I felt, made me realise how badly I needed a break. I checked dates with Richard then went searching for accommodation.

I was determined not to stay with family or friends. This time I wanted to be completely on my own agenda. I didn’t want to stay in Hartlepool, but somewhere pretty, within easy driving distance. North Yorkshire looked good, and I love that area. No self-catering. I do enough cooking at home. I typed in my requirements, to be listed by cost for a week, lowest first.

The first thing that popped up was a room at the Duke of Wellington Inn, in Danby. I swear to God, people, I’d booked it within ten minutes. Sometimes it’s obviously a sign.

The Duke of Wellington Inn is an ivy-clad traditional eighteenth century inn located in the tiny village of Danby in the North York Moors, about fifteen miles inland from Whitby. Until I found the place, I hadn’t decided that my trip was going to be my very own personalised writer’s retreat, but a bit of research made me realise it was perfect. Danby really is small, although very pretty. The Moors National Park Centre is just at the edge of the village, and there’s a tiny bakery with a café just behind the Duke of Wellington. Other than that, there’s not even a shop in the village. For somebody wanting uninterrupted writing time, it couldn’t have been better.

I checked with the owner whether there was a suitable table in my room for working. The single rooms were fairly small, but he assured me there was a guests’ sitting room with a desk in it and I’d be very welcome to work there as it was seldom used. When I arrived and saw it, I couldn’t quite believe my luck. For a week, I effectively had my own personal study. It was completely lovely.

The Duke of Wellington Inn was built in 1732 and was originally known as the Red Briar. It was used as a recruiting post during the Napoleonic Wars and was apparently known as either the Wellington Arms or the Lord Wellington during this period. I haven’t yet been able to find out when the name was changed to the Duke of Wellington – my first thought was that it must have been after 1815 to commemorate the victory at Waterloo, but I discovered that when Canon Atkinson arrived in 1847 to take up his post as Vicar of Danby, the inn was still called the Wellington Arms so the transition must have come later. At that point, the inn was kept by two sisters known as Martha and Mary.

A cast iron plaque of the Duke was unearthed during restoration work and can be seen on the wall as you go up the stairs. The inn is not large and is very obviously old – floors are uneven and the furniture is very traditional. Impressively, though, all the essential things for a comfortable stay work really well – the bed was comfortable, the bathroom modern and heating and hot water were spot on. I’d booked bed and breakfast, but after a look at the dinner menu, decided I’d eat there in the evening as well. It was standard pub food, but well-cooked and sensibly priced, and I never object to sitting by an open fire in a traditional country pub to eat. In addition, the staff were absolutely amazing. Nothing was too much trouble and they treated my invasion of the guest sitting room as though it was the most normal thing in the world. Thank you so much guys.

I’m pleased to say I stood by my resolution to treat this week as a writer’s retreat. Apart from my one excursion to Hartlepool, I remained in and around the village. The weather was beautiful, crisp and cold but with only one rainy day. I ordered breakfast early then went for a walk every morning before sitting down to work. Lunch was soup and sandwiches from the Stonehouse Bakery, with some excellent cake for afternoon tea, and then I’d go for another walk before dinner. It was often almost dark by the time I got back, and the sunsets were gorgeous.

During the day I took over the desk and worked solidly on book seven, An Indomitable Brigade. I found, to my joy, that I’d been right about the book. There was nothing wrong with either plotting or the research I’d done. I just needed time, and peace and quiet to get on with it. I kept in touch with my family during the evening, but firmly refused to take calls during the day. I was helped by the fact that the wi-fi was variable. It worked very well in my room, and down in the bar areas but in the study it was patchy, which removed the temptation to chat on Twitter or Facebook. After the first day, I was completely absorbed in the world of the 110th and the battle of Vitoria.

I enjoyed my day out at the National Museum of the Royal Navy in Hartlepool, and the Trincomalee was everything I hoped for and more. The museum is set up around a historic quayside restored to look like an eighteenth century seaport and its beautiful waterside setting. The various buildings are set up to show tradesmen like tailors, printers and instrument makers with stories about the Royal Navy and the men and women associated with it. It’s a great place for kids, with an adventure play ship and loads of activities, and because I was there during half term, there were demonstrations of gunnery and swordsmanship and various talks scheduled through the day. I went to everything, even though most of this wasn’t new to me. It was a great atmosphere, and I thoroughly enjoyed the interactive Fighting Sail exhibition, though the kids commentary around me probably entertained me as much as the displays.

The Trincomalee was perfect, one of two surviving British frigates of her era. The other, HMS Unicorn is a museum ship in Dundee and I’m going to get there when I can. The Trincomalee was commissioned in 1812 to be built in India using teak, due to the shortage of oak in Britain after the intensive shipbuilding of the Napoleonic wars. Work did not begin until 1816 so by the time the ship was finished the following year, the wars were over and Trincomalee was put to other uses.

On the advice of one of the guides, I waited until the kids were completely absorbed in learning how to form a boarding party on the quayside using foam swords and cutlasses before boarding the ship. It was completely empty and I was able to take photographs, absorb the atmosphere and write stories in my head to my hearts content. The Trincomalee quickly morphed into the fictional Herne in my imagination, Hugh Kelly’s first post-command, and the story was finished. I’ll definitely come back to it though, I’d like to write a lot more of Hugh’s earlier adventures in the navy.

Rush hour in Danby

Back at my borrowed desk, I had a blissful few days of writing, walking on the moors and falling in love both with Yorkshire and with my fictional world all over again. By the time I set off for the ferry at the end of the week, the book was back on track, and I was fairly sure I’d have it written, even if not edited and published, before the end of the year. I had also forgiven myself for my inability to work as well as usual during the past two years. There are probably writers out there who made the most of the restrictions of lockdown and emerged ahead of the game. I suffered, and emotionally it was hard to put myself into the heads of my characters when my own head was so full of confusion. I think on those long, winter walks over the moors I’ve worked out how to be kinder to myself and how to keep a distance when the world feels an alien and unfamiliar place.

I’ve concluded that a writer’s retreat means different things to different people. For some, it’s about learning, and they’re looking for lectures and workshops and the ability to try something new. For others, it’s about connecting with other writers to share ideas and stories and to feel part of a community for a while, in this very solitary job that we do. For me, it’s definitely a retreat, a place of quiet and solitude and some beauty, where I can throw myself back into what I do best without any nagging sense of all the other things on my to do list.

Of course, it also helps to have an eighteenth century Napoleonic recruiting inn and an early nineteenth century frigate thrown in for good measure.