Following the Trail of a Knight by Ronan Beckman

Following the Trail of a Knight by Ronan Beckman

Today on Writing with Labradors I’m delighted to host author Ronan Beckman who is here to talk about his short story, recently published in the latest Historical Writers Forum anthology. To Wear a Heart So White features seven stories about Crime and Punishment. Ronan’s contribution is called Carte de Viste and he is about to tell you the story behind it.

 

 

 

“I’m sure you didn’t know we had a knight in our family!”

That was absolutely true. But another fact was that this family was all new to me. I was adopted as a child, so everything about my past was new to me. Only through a lot of challenging detective work was I able to become reconnected to my birth family at the age of 36. And having tracked down a 2nd Cousin through a genealogy website, I now had this fascinating piece of history to explore. Out of all the newfound ancestors I had, this one intrigued me the most.

My 3x Great Grandfather, Sven Stenander, was the knight in question. My cousin sent me a poem in Swedish, along with a translation in English, which outlined his life. She assured me that there were newspaper articles about his life (which my later research confirmed to be the case), so there was a very nice stack of material for me to follow up on. Most intriguing for me was a copy of an actual photograph of this man in his late eighties. Staring at it, I saw the reflection of a man born in the 18th Century. A warrior who participated in battles of the Napoleonic War and fighting the Norwegians in their unsuccessful quest for independence. And on his chest, I could see a distinctive medal, the St. George’s Cross. This was the source of his knighthood. But I wanted to know more.

The poem was relatively vague in details. A stanza roughly translated to this: In the war, he served with distinction in many ways and was awarded medals for valour. The recognition was great, but not anything like the St. George Cross he received from the Emperor that made him a Knight of the St. George’s Order. Who was the emperor? After some time, I was able to find news articles that provided a little more information. They reported that he was awarded the St. George’s Order, 5th Class, from Tsar Alexander of Russia (an ally of Sweden at the time). This raised a few more questions than it answered. Why was a Russian Tsar bestowing a medal on a Swedish soldier? And researching the Russian Order of St. George was a bit challenging for me, as I am very much not a military history expert. I seemed to be able to only find references to the 1st class through to the 4th, no mention of a 5th class.

After 20 years, I have finally been able to solve the mystery (only just today!). I discovered through an American forum on military medals that Tsar Alexander had bestowed numerous St George’s Cross medals to British troops in gratitude for their participation in the Battle of Waterloo. These included 5th Class medals for subalterns (those ranked below a Captain) and soldiers. The higher-class medals tended to be reserved for those with an officer ranking.

Further digging into medal collector forums resulted in the discovery of a similar scenario where the Russian Tsar demonstrated his appreciation for Swedish soldiers battling Napoleon. Apparently, Sweden and Russia did a trade of medals to be awarded to their soldiers. 200 Swedish bravery medals were exchanged for 200 Russian St George’s Cross medals, which were for soldiers and non-commissioned officers (thereby making them 5th Class). Once exchanged, each nation awarded these medals to their soldiers as they saw fit. So, Sven did not receive his by direct command of the Tsar (that mystery solved!). But another revelation was brought to my attention. These medals were not actually what was often assumed. Many soldiers went back home, stating that they were now a knight of the Russian Order of St George. But these medals were actually considered a lower class of St George medal, one which did not confer a title of knighthood. So, a family legend (and one that was repeated in the press over the years) has been quashed. It is often said that family lore doesn’t always hold up to scrutiny. Nevertheless, being the recipient of one of only 200 medals is still quite an honour.

I have long wanted to write about my most interesting ancestor, but didn’t feel that I had enough information to sustain a whole novel or a non-fiction biography. But another interesting occurrence did help me with this quandary. A Facebook writing group I belong to, Historical Writers Forum, were creating a collection of short stories around the theme of ‘Crime and Punishment’. Remember that copy of the photograph of Sven I had? Well, I discovered a newspaper article about my ancestor being sent to prison over this photo. He had accused a neighbour of stealing this photo from his home. The court stated that there was no evidence for this and imprisoned Sven for the false accusation. The press, however, were treating the 78-year-old war veteran as some kind of folk hero – an old warrior bravely facing his sentence. I tried to imagine how Sven would have spent his time in incarceration. The poem sent by my cousin served as an inspiration for me to reflect upon his life and forms the basis of my short story, Carte de Viste, one of seven short stories by seven authors featured in the anthology To Wear a Heart So White (available through Amazon: https://www.amazon.co.uk/dp/B0DKFZRRLC ). His life was so full of quirks and interesting occurrences. One last tale before I finish: Sven was nearly ninety-years-old and on his sickbed while being watched by his neighbour, the painter Tiselius, as the family went about some errands. Drunken Tiselius insinuated that Sven must have stolen the medals, and in no way deserved them. With all his remaining strength, old Sven grabbed his walking stick and whacked it hard over the head of his tormenting neighbour. The family legend is that proud Sergeant Sven Stenander was buried with the medals he treasured so much.

 

Ronan Beckman is a retired former educator living in Northampton, England. He writes historical fiction and biography, often based on characters discovered while researching family history. You can find out more on his website: www.ronanbeckman.com

 

 

Hauntings: an interview with D Apple

Hauntings: an interview with D Apple

The run-up to Halloween 2021 marks a new venture here at Writing with Labradors as for the first time I have published a short story in an anthology. Hauntings is an anthology of ghost stories, with ten supernatural historical tales which range from Roman and Viking times all the way up to the 1960s. Which brings us to my guest today on Blogging with Labradors, the talented Danielle Apple who writes as D Apple.

Danielle’s contribution to Hauntings is a story called Hotel Vanity which brings a light-hearted tone to the collection. It is set in a decaying hotel, where the owner’s efforts to sell-out are hampered by some mischievous ghosts.

Danielle, welcome to Blogging with Labradors and thanks very much for joining me to tell us a bit more about Hotel Vanity and the story behind it.

To begin with, Hotel Vanity is an unusual ghost story. What was your inspiration for it?

 Well, I really wanted to write a gothic mystery, but every time I put pen to paper, some sassy ghost muse would whisper in my ear. Try as I might to shut her up, Nancy became my ghost, and Humphrey, the beleaguered hotel owner, became me. I thought…what if ghosts aren’t really how we typically think of them? What if the things that go bump in the night are really an old ghost dropping books on the floor as he falls asleep reading, or perhaps an ethereal being trying to taste whiskey again for the hundredth time?

I think that’s a fantastic idea and raises all sorts of interesting possibilities for future stories. There’s an interesting mix of humour and drama in your story and in the lives (and deaths) of the characters. Did you plan it that way or did that develop as you wrote?

I was supposed to be writing a story for a Valentine’s Day competition, and while the muse managed to steer me away from Gothic Mystery, I apparently don’t do romance without making it an annoying ghost mystery. This insertion of humor is a write-by-the-seat-of-my-pants experience that happens with nearly every short story, but I had to daydream about the drama for a while before it made sense.

I should think with a character like Nancy yammering in your ear it would be impossible NOT to include humour. I must say that for me, it wasn’t just the humans, alive or dead, who brought the story to life. You give a very good descriptive sense of this decaying old building – it’s almost like one of the characters. Can you tell us a bit more about that? Is there a real building somewhere that inspired it?

At the time I was going through some difficult personal changes, and the building became an embodiment of my comfort zone, limitations, and the things I still valued. The vines are beautiful and once served to avoid soil erosion, but they also choke the life out of a building. Humphrey tries to get a vine by the window to grow a different way by twisting it around itself, but the problem has gotten so massive that this simple act is futile.

Poor Humphrey. You can really sense his struggle. You’re not specific about dates in the story, either for the present day or for the flashbacks to Tom’s younger days. What period did you have in mind and what made you choose it?

While my primary work usually ends up in the early 1800s, for some reason these ghosts decided they were in the 1960s. Tom’s dated letters have seen a lot of wear and tear, and at the time of this story, the characters briefly discuss a United States presidential candidate. They are in their own bubble of sorts, stuck in the past away from the outside world but not totally unaware. It was easier for me to imagine ghosts from a couple of my favorite time periods and place them in a more familiar setting to me. Not to mention the buildings from my favorite times would have been slowly falling apart, but still viable. I think this is why the 1960s felt right.

Yes, that makes perfect sense, given how important the building is to your storyline. I think I can guess the answer to this one, but I have to ask. Who is your favourite character in the story and why?

 Gosh, I love all of them for different reasons, but Nancy was the most fun to write. There’s just something about the juxtaposition of her outrageous behavior with her wise advice. In fact, every beta reader who has encountered Nancy wants to know more about her. So…maybe she gets her own story next.

I genuinely hope so. I’d love to know who she was when she lived and how she died. But on to the storyline. The idea of a lost soul trapped in a mirror is very evocative. Can you tell us a bit more about how you came up with the idea and the meaning behind it?

I had a thought to examine the human experience in the realm of society’s expectations. I think there is a soul in many of us that we keep trapped. Do we shove it away, direct what it should do and where it should go, all the while giving us the illusion that it is free to move about? When we look in the mirror at our soul…what do we see exactly? Is it us, a totally different person, or is it a part of ourselves that we ignored for too long? Of course this soul in the mirror can be a representation of many scenarios in peoples’ lives, so it can easily slip into whatever form the reader needs.

It’s very effective in this story. I’m hoping that people are going to read this and want more of your work. What’s your current writing project and how is it going? Any publication dates in the pipeline?

I’m working on a historical mystery saga in Northern Alabama, spanning 1834-1850. The first book is about a boy and his new, standoffish friends who come of age during a decade-long blood feud that leaves him digging graves – perhaps even his own. This is the project I’ve been working on for ages, but each setback has taught me valuable lessons and brought new, amazing people into my life. I’m grateful for the experience! In the next few months it will be ready for final beta readers and cultural accuracy readers, then I revise and it’s off to copy edits. That will probably land the publication date in mid-2022. If anyone is interested in being a beta, accuracy, or arc reader, go ahead and contact me for a more detailed description.

That sounds like a fascinating project, and probably takes an enormous amount of research, but it looks as though the end is in sight.

 Danielle, it’s great that you’ve been able to take the time to contribute to Hauntings. I know that all the other authors have thoroughly enjoyed working with you and I personally enjoyed meeting Nancy, Humphrey, and the others. Thanks for joining me on Blogging with Labradors and good luck with your current project.

 If you’d like to find out more about Danielle and her work, you’ll find all her social media links and contact details here. Don’t forget that she’s looking for beta readers for her current project, so do make contact if you can help.

More about Danielle Apple…

When she’s not pursuing research bunny trails, Danielle is reading. Her happy place is cozying up on the couch with her dog and a 19th century gothic mystery novel, but you’ll also find her hiking and exploring ghost towns and forgotten graveyards. An avid photographer and language learner, Danielle finds it difficult not to see the story potential in every place or turn of phrase. Sometimes the muses are humorous, and sometimes they are dark, but they always come from an integral place. Her upcoming novel takes place in Northern Alabama, 1834. It’s about a boy and his new, standoffish friends who come of age during a decade long blood feud that leaves him digging graves – perhaps even his own. You can follow the progress here https://linktr.ee/Dapplewrites

Keep an eye out for more blog posts in the Historical Writers Forum Hauntings blog hop as more of our authors get the chance to talk about their ghost stories in the run-up to Halloween.

 

 THE HISTORICAL WRITERS FORUM: who we are

 The Historical Writers Forum (HWF), started out as a social media group where writers of historical non-fiction, historical fiction, and historical fantasy could come together to share their knowledge and skills to help improve standards amongst this genre of writers, whether they be new or well-practiced. The aim is to encourage peer support for authors in a field where sometimes writing can be a very lonely business. We currently number over 800 members and are growing. We have recently been busy organising online talks via Zoom and now have our own YouTube channel where you can find our discussions on a variety of topics. Our membership includes several well-known authors who regularly engage to share their experiences and strengths to help other members build their own skillset.

We can be found on:

Facebook: https://www.facebook.com/groups/writersofhistoryforum/

Twitter:  https://twitter.com/HistWriters

YouTube:  https://www.youtube.com/channel/UCSsS5dFPp4xz5zxJUsjytoQ

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