The Battle of Fuentes d’Onoro: An Uncommon Campaign – Book Three in the Peninsular War Saga

An Uncommon Campaign, 110th at the Battle of Fuentes d'Onoro

Fuentes d’Onoro, May 1811

The battle of Fuentes d’Onoro was a near miss for Wellington’s army
The battle of Fuentes D’Onoro took place in 1811

Wellington had initially taken up a reasonably strong position on the line of the Dos Casas, a tributary of the Agueda River. Although the stream itself was insignificant, the section in front of the Allied left ran through a significant ravine that would effectively prevent any French attack on this part of Wellington’s troops. His right was not as strong. As the Dos Casas climbed into the hills the valley was less pronounced and provided less protection. The British position ended at the village of Fuentes de Oñoro, which climbed up from the river to the top of the ridge, and was itself a very defensible position. To the south, however the ravine disappeared and it would be very possible for the French to outflank the British.
With his troops in preliminary positions, Wellington summoned the three light division commanders.
“They’re on their way,” he said without preliminaries. “Marching down from Ciudad Rodrigo. We’ll see where he places them and then look at our positions.”
“If we get time,” Paul said.
His commander eyed him with a forbidding expression. “Have you something useful to say, Colonel van Daan or are you just making sure we all know that your new command is not going to stop you questioning my orders any time you feel like it?”
“Not questioning, sir, more of a comment. You already know we could have done with a bit more time, but we’ll manage. Where do you want us?”
Wellington studied him and then gave a small grim smile. “Out on the road initially, give them a hard time as they approach. I’m sending out four cavalry regiments as well. No major engagements and don’t take any risks, I will need your men intact for this battle, we’re short enough as it is. Have you heard me, Colonel van Daan?”
“Loud and clear, sir. Getting better at it all the time.”
Wellington shook his head. “I can’t wait until Craufurd gets back, he approved this but that’s because he’s forgotten what you’re like. You’re going to give him a seizure.”
“No, he’s easily as tough as you, sir, and I haven’t given you one yet.” Paul glanced at Drummond. “How do you want to do this, George?”
Drummond looked at him and smiled slightly. “Was that an attempt at tact, Paul? Why don’t Beckwith and I take the north side and you bring up the south with the cavalry, the ground on that side will suit them better. We’ll meet back before Fuentes once they’ve made camp.”
Paul nodded. “Sounds good. Sir, we could do with some fast riders to keep us in touch with each other. I can use some of my ensigns but frankly they’d be more use with their men…”
“I’ll get Julian Sanchez to lend you some of his horsemen they know the countryside.” Wellington eyed the three men. “I thought Craufurd would be here in time for this. And he still might make it, he must be very close. Which is why I haven’t appointed a temporary commander.”
There was a brief silence which extended and became difficult. Still nobody spoke. Paul took a deep breath. “I’m glad you shared that, sir, because I’ve been thinking you’d done that just to make my introduction to commanding a brigade more interesting.”
Beckwith gave a splutter of laughter, and Paul glanced at Drummond and saw that he was smiling too. He turned his gaze back to Wellington and for the first time during the briefing there was genuine amusement in the blue grey eyes.
“Colonel there are four of us here and not one of us is in any doubt that if something gets difficult out there you are going to start yelling orders without any thought for rank or protocol. I first saw you do it aged twenty-two at the battle of Assaye when you bullied poor Colonel Maxwell into going into battle ahead of orders and you had been promoted to captain at that point for approximately twenty-four hours. If that happens I trust Colonel Drummond and Colonel Beckwith to have the experience and common sense to judge for themselves whether to join you, ignore you or punch you, and they have my express permission to do any of those three. Get out of here and keep me informed.” From “An Uncommon Campaign’ by Lynn Bryant (Book Three of the Peninsular War Saga)

An Uncommon Campaign

The battle of Fuentes De Onoro took place at the beginning of May 1811.  After the retreat from Talavera in 1809 and then the successful battle of Bussaco in 1810, Wellington had kept most of his army behind the lines of Torres Vedras and used the time to train and recruit and recover from the mixed fortunes of the Spanish campaign.  The exception was the light division under the brilliant but irascible General Robert Craufurd, who spent the time guarding the border, constantly engaging the enemy in skirmishing, holding the line with men who were fast becoming the acknowledged elite of Wellington’s army.

Marshal Massena, unable to breach the formidable Anglo-Portuguese defences and unwilling to risk too many of his men trying, held on desperately in lands scorched and left bare by the retreating British.  By early 1811 it was clear that he could hold out no longer.  His army was starving and exhausted and the reinforcements he had asked for were nowhere in sight.  It was time to retreat.

Initially, Massena hoped to make for the Mondego valley which had escaped Wellington’s scorched earth policy and where food might be found for his starving men.  But the Anglo-Portuguese army were in hot pursuit and no way could be found across the river in time.  Fighting a skilful and desperate rearguard action, Massena retreated back to the Spanish border.

The Fortress at Almeida, Portugal

There were several great fortress towns along the Spanish-Portuguese border and in order to plan and execute an invasion of Spain safely, Wellington knew he needed to take possession of all of them.  The most formidable on the Portuguese side was at Almeida, and it was the last stronghold in Portugal held by the French.  Wellington besieged the city and Massena, his army finally fed and beginning to recover, marched to relieve it.  Having surveyed the ground, Wellington chose to take up a position along a line running through the little Spanish village of Fuentes D’Onoro.

Supplies were crucial in this stage of the conflict.  The French would have limited access to supplies whereas Wellington was well supplied and could hold out longer.  He had the choice of leaving his line of retreat exposed in order to cover all routes to Almeida or of covering his retreat, which was usually his preferred option but giving the French a possible way through.

Fuentes D’Onoro was a cluster of buildings on a slope with narrow cobbled streets and walled gardens.  It was well known to the men of Craufurd’s light division who had often been quartered there during their time on the border.  Many of the villagers were known personally to them.  With the people evacuated to a refugee camp, the British took up their positions.  The Anglo-Portuguese army had 34,000 infantry, 1,850 cavalry, and 48 guns, while the French had 42,000 infantry, 4,500 cavalry, and 38 guns.  Massena had asked for reinforcements from Bessieres in the north, and Bessieres had come himself but with so few men that the reinforcements were pointless.  Wellington commanded six infantry divisions, Charles Ashworth’s independent Portuguese brigade, and three cavalry brigades along with some artillery.

On 3 May, Masséna launched a frontal assault against the British-Portuguese pickets holding the barricaded village, while bombarding the British-Portuguese on the heights east of the village with heavy artillery. The battle in the centre of the village went on throughout the day, with French soldiers of Ferey’s and Marchand’s divisions clashing with the British  1st and 3rd Divisions.

At first, the British-Portuguese were driven back under immense pressure, but a charge that included men of the 71st Highland Light Infantry reclaimed the streets and buildings lost earlier in the day. As the sun went down, the French withdrew and the village remained in British hands, with the former suffering 650 casualties against only 250 for the British.

Both sides spent 4 May recovering their dead and wounded from the streets of the village.  An informal truce was held and men from the two armies met across the Dos Casas brook to exchange food and tobacco and play card games.  When officers intervened, the French organised a series of intimidating parades to impress their enemy.  The English played football.

Meanwhile, French reconnaissance had discovered Wellington’s weakness.  

Fuentes de Onoro looking up from the French position.

His right flank was weakly held by a unit of Spanish partisans near the hamlet of Poco Velho.  The French attacked at dawn on 5 May, concentrating on Wellington’s right flank where the Spanish crumbled.  Allied cavalry held their positions with great courage but the 7th Division was left exposed.  Masséna launched a heavy attack on the weak British-Portuguese flank, led by Montbrun’s dragoons and supported by the infantry divisions of Marchand, Mermet, and Solignac.  Two 7th Division battalions were badly mauled by French light cavalry and Wellington needed to send reinforcements to save the 7th Division from annihilation.  Defeat looked possible, but Wellington had reserves in place and he sent in Robert Craufurd’s light division along with British and German cavalry.

On the threatened British-Portuguese right flank, the elite Light Division, well supported by cavalry and artillery, made a textbook fighting withdrawal.  With very few casualties, they covered the retreat of the 7th Division and fell back into a stronger position selected by Wellington. During the retreat, whenever French artillery ventured too close, the British cavalry charged or feinted a charge. This allowed the infantry time to retreat out of range. If the French horsemen pressed the outnumbered British cavalry back, the British-Portuguese infantry formed squares and, their volleys drove off the French.

It was an extraordinary display of military discipline and precision and a tribute to the genius of Robert Craufurd, who for all his reputation of a rude, over-sensitive disciplinarian who was disliked by many of his officers, could do anything with his enlisted men, who would follow him to hell and back for a word of approval.  The skill of the light division and the courage of the highly outnumbered Allied cavalry saved Wellington, who had undoubtedly made mistakes that day, from what might have been a defeat, and brought instead a victory.

Church in Fuentes de Onoro.

Masséna’s main aim was still to secure Fuentes de Oñoro. He sent forward massed columns of infantry from Ferey’s division. The village, filled with low stone walls, provided excellent cover for the British line infantry and skirmishers, while the French were severely restricted in the little narrow streets. At first, the French had some success, wiping out two companies of the 79th Highland Regiment and killing the regiment’s commander, Lieutenant-Colonel Philips Cameron. But a counterattack chased Ferey’s men out of the town.

Memorial to the Battle of Fuentes de Onoro 1811

launched a second attack on the town. This time, it was led by three battalions of grenadiers.  Again, the British fell back as Drouet threw in about half of the battalions from both Conroux and Claparède’s divisions, managing to take almost the entire town.

In response, Wellington counterattacked with units from the 1st and 3rd Divisions, plus the Portuguese 6th Caçadores and led by the 88th Connaught Rangers. This broke Drouet’s attack, and the tide began to turn. Low on ammunition, the French had to resort to the bayonet in a futile attempt to drive the British back. One party of 100 grenadiers was trapped in a tight spot and killed. Facing lethal volleys, the French retreated back to the Dos Casas, leaving their casualties behind.  By sunset, French morale had plummeted and many companies were down to 40% strength.

The French artillery tried to bombard the new British line into submission, but for once they were outgunned by Wellington’s cannons. Finally, with their ammunition dangerously low, the French attacks came to an end. Wellington’s men entrenched during the evening. After spending the next three days parading before the British position, Masséna gave up the attempt and retreated to Ciudad Rodrigo, furious with his subordinates whose refusal to obey orders at crucial moments had turned a potential victory into a defeat which would spell the end of his command in the Peninsula.

The battle of Fuentes d’Onoro was not claimed by Wellington as one of his great victories.  He had beaten back the French and was able to continue his blockade of Almeida.  However, he acknowledged how dangerous the situation had been, saying later, “If Boney had been there, we should have been beat.”  Wellington considered that he had unnecessarily extended his line, putting the 7th Division and Light Division in danger.

Two nights after Masséna’s withdrawal, Antoine Brenier’s 1,400-man French garrison of Almeida slipped through the British-Portuguese lines during the night. About 360 French troops were captured, but the rest escaped through a series of blunders.  An infuriated Wellington wrote, “I have never been so much distressed by any military event as by the escape of even a man of them.”

On reaching Ciudad Rodrigo, Masséna was recalled to Paris by a furious Napoleon to explain his actions.  He was replaced by Marshal Auguste Marmont. Masséna returned to France with a vast sum of gold, looted from Portugal and Spain. The defeated French marshal complained that Wellington “had not left him one black hair on his body—he had turned grey all over.”  Later, meeting in France after the war, Wellington and Massena met as former adversaries and got on very well.  On discussing their final campaign against one another, Massena said:

My Lord, you owe me a dinner – for you made me positively starve.”  Wellington laughed.  “You should give it to me, Marshal, for you prevented me from sleeping.”

We visited Fuentes d’Onoro earlier this year.  Despite being surrounded by modern roads it is surprisingly easy to see the layout of the very extended battlefield.  The third book of the Peninsular War saga, “An Uncommon Campaign” is centred around the battle, and in particular the Light Division part in it, since by now Paul van Daan’s 110th are fighting as part of Wellington’s elite division.  The first four books in the Peninsular War Saga are available in both Kindle and paperback editions on Amazon.

An Unconventional Officer

An Irregular Regiment

A Redoubtable Citadel

For regular updates and articles on history, travel, writing and life why not join the mailing list here

 

Peninsular War Saga Special Offer – two for the price of one

 

_DSC9326-Pano.jpg

Two books for 99p sounds like a bargain to me.

An Irregular Regiment
Book 2 of the Peninsular War Saga

An Irregular Regiment, book two in the Peninsular War saga is available free on Amazon kindle for the next two days, while book one An Unconventional Officer is just 99p.  Why not get both of them for your holiday reading.

The Peninsular War saga follows the story of Lieutenant Paul van Daan from his early days with the 110th infantry in India and on to Portugal and Spain under Sir Arthur Wellesley, later Lord Wellington.

Book one covers the period from 1802 when Paul joins the regiment as a young officer and follows his career and his personal life up to the eve of the battle of Bussaco in 1810.  Book two takes up

An Unconventional Officer
Book 1 of the Peninsular War Saga

The books are thoroughly researched historical novels which tell the story of the men and women at all levels of army life during Wellington’s Peninsular Campaigns.  They cover skirmishes and marches, campaigns and winter quarters, the bloody scenes of the battlefields and the even bloodier sights in the surgeons tents.  They also tell a love story of an unusual couple in difficult times.

Two for the price of one.  Why not give them a try?

 

Tynwald Day- the Manx national day

Tynwald Day: the Manx National Day
Tynwald Day

Tynwald Day, the Manx national day, is held each year on July 5th and is a celebration of Manx independence and Manx culture. I wrote this post last year and am re-sharing it along with a free promotion of my most recent book, An Unwilling Alliance, which is set on the Isle of Man and in Denmark in 1806-7 and features a Manx hero and heroine.

Tynwald is the Parliament of the Isle of Man and no other parliament in the world has such a long unbroken record.  It has been going since Viking times, more than 1000 years and governs a tiny island in the Irish sea.  I had never heard the word Tynwald until I moved to the island fifteen years ago and I’m not sure I had really grasped the fact that the Isle of Man is an independent country with it’s own laws and its own Parliament.  The island is not part of the United Kingdom, but a Crown Dependency with the Queen acknowledged as Lord of Mann.

The ceremony held at St John’s on Tynwald Day has changed in the details but has basically been going on for more than 1000 years.  Back then the island was a collection of Viking settlements and an annual sitting of their Parliament was held around midsummer where people gathered to hear their laws proclaimed aloud, to seek justice and to air their grievances.

The Vikings or Norsemen first came to Mann around the year 800AD, and ruled the Island for four-and-a-half centuries before finally ceding it to the King of Scotland in 1266. By then they had firmly imposed their own administrative system, which continued even while the Island’s ownership passed between Scotland and England, to the Stanley family of Lancashire (Lords of Mann from 1405-1736), and to their kin the Dukes of Atholl, who held it until it was re-vested in the British Crown in 1765.  The custom of Tynwald Day has continued throughout all these changes.

On Tynwald Day, Tynwald meets at St John’s instead of the usual parliament building in Douglas, partly in the Royal Chapel of St John the Baptist and partly in the open air on Tynwald Hill, a small artificial hill nearby.  The meeting is known as Midsummer Court and is attended by both branches of Tynwald, the House of Keys and the Legislative Council.  The Lieutenant Governor presides as the representative of the Lord of Mann, unless the Queen or another member of the Royal Family is present.

All bills which have received the Royal Assent are promulgated on Tynwald day and if this does not happen within 18 months of passing the bill it ceases to have effect.  Other proceedings can include the presentation of petitions and the swearing in of public officials.  There is a formal procession which includes the Lieutenant Governor, Members of the House of Keys and of the Legislative Council, the Deemsters who are the highest judicial officers, any guests of honour from other nations, clergymen, leaders of local governments and any other state officials of the Isle of Man.  Members of the general public attend the ceremony as do local constabulary and military.  It is a highly formal affair.

Before Tynwald sits, the individual presiding inspects the guard of honour and lays a wreath at the National War Memorial.  There is a religious service in the chapel at 11am and then Tynwald proceeds to the adjacent Tynwald Hill. The path is strewn with rushes following the celtic custom of pleasing the sea god Mannanan with bundles of rushes on Midsummer’s Eve. The path is lined with flagpoles, which fly the national flag and the parliamentary flag.  The laws are proclaimed from Tynwald Hill which has existed from at least the end of the 14th century.  Once this is done, Tynwald reconvenes in the Chapel and quill pens are used to sign certificates documenting the promulgation of the laws.

Once the captioning of the acts has concluded, the Lieutenant Governor and the Legislative Council withdraw, leaving members of the House of Keys for a session of their house.  Once Tynwald Day is over there are three more sittings of Tynwald before the government adjourns for the summer until October.

Traditionally, Tynwald Day was marked by a fair and market; these customs still continue with stalls, demonstrations, music and dance throughout the day and on into the evening.  The village of St John’s is packed with people and the following week, known as Manx National Week, usually hosts a series of concerts, displays and other events related to Manx culture.

For the first few years we were on the island it was an annual event to go to Tynwald Day.  I admit I was fascinated by the history, the idea that this ceremony, in some form or another, has been going for so long.  It is very different to the British opening of Parliament and Queen’s speech which is very much a Parliamentary event.  This is an event for the people, and the tradition of people bringing their grievances before Tynwald on this day really happens, I know people who have done it.  This year, as an example, several Manx women staged a silent protest dressed in Handmaid’s Tale type red cloaks and bonnets to show their support for reform of the island’s highly outdated abortion laws.  Democracy moves slowly at times, but it does move and Tynwald Day is a traditional forum for protests like this.

The actual reading of the laws is long and boring and I’m not sure how many people really listen.  But it’s an important part of the day.  The officials are in full robes and wigs and there’s a real sense of ceremony and national pride.

I’ve not been to Tynwald Day for years now.  It’s the day after my daughter’s birthday so it’s often difficult.  But I think I’d like to do it again at some point.  In the past, when the children were younger it was all about the fair and the activities and the market stalls.  But I think I’d like to attend from the point of view of a historian, to read about the ceremonies of the past and feel the sense of continuity which shines through the day.  The island is a small nation but has a deep sense of pride and community which I’ve a suspicion we could all learn something from.

Many thanks to Heather Paisley for use of her photographs.

For regular updates on this site including history, travel, book reviews and plenty of labradors (and a few freebies thrown in) please join the e-mail list here.

 

 

 

 

 

 

An Irregular Regiment – Book Two coming soon

Wellington’s HQ in Pere Negro, the Lines of Torres Vedras
An Irregular Regiment
Book 2 of the Peninsular War Saga

An Irregular Regiment, book two in the Peninsular War saga, is due for publication on 4th July.

The novel continues the story of Major Paul van Daan and the 110th infantry as they prepare to meet the French on the ridge of Bussaco in Portugal.  Back on the battlefield only two weeks after his scandalous marriage to the young widow of Captain Robert Carlyon, Paul is ready for the challenge of the invading French army.

But Lord Wellington has another posting for his most difficult officer and Paul and Anne find themselves back in Lisbon dealing with a whole new set of challenges with army supplies, new recruits and a young officer who seems to represent everything Paul despises in the army’s views on discipline and punishment.  Anne is getting used to life as the wife of a newly promoted regimental colonel as two other women join the regiment under very different circumstances.  And an old adversary appears in the shape of Captain Vincent Longford whose resentment at serving under Paul is as strong as ever.

It’s a relief to return to the field but Paul finds himself serving under the worst General in the army in a situation which could endanger his career, his regiment and his life.

Given a brief by Wellington which requires him to use tact and diplomacy as well as his formidable fighting skills, it’s hardly surprising that the army is holding it’s breath waiting for Wellington’s newest and most explosive colonel to fail spectacularly.

An Unconventional Officer
Book 1 of the Peninsular War Saga

Read the first chapter of An Irregular Regiment here.  For those who haven’t read it yet, why not order an Unconventional Officer.

Georgette Heyer, Regency Romances and how much sex is really necessary…?

Of all historical novels, Regency romances seem to be one of the most distinctive genres, and although their popularity has waxed and waned they have never completely gone out of style.  Set approximately during the period of the British Regency (1811–1820) they have their own plot and stylistic conventions. Many people think of Jane Austen when Regencies are mentioned and certainly her novels are set in the right period, but of course she was writing as a contemporary not as a historian.

It has always seemed to me that Georgette Heyer was the mother of the current Regency genre.  She wrote more than twenty novels set during the Regency, between 1935 and her death in 1974 and her books were very much like a comedy of manners.  There was little discussion of sex, understandable given the different views of her generation, and a great emphasis on clever, quick witted dialogue between the characters.

These days, Regencies seem to be divided into two sub genres.  There are the traditional Regencies which are similar to Heyer’s originals, and a more modern Regency historical genre.  Many authors do not seem to confine themselves to one of these two types but may move between the two.  Both are currently popular.

Traditional Regencies emphasise the main romantic plot.  They play close attention to historical detail and take care to replicate the voice of the genre.  There is a good deal of research for writers of traditional Regencies.  Heroes and heroines generally remain within the accepted rules and conditions of the period and although their may be some sex it is very likely that the action stops at the bedroom door, probably at the proposal of marriage.

The more modern Regency historical novels break more rules.  They may be set during the time period but not necessarily in high society with an insight into life outside of the world of wealth and privilege inhabited by Georgette Heyer’s characters.  They may also include characters who behave in a more modern way, particularly when it comes to sexual behaviour and moral values.  The style can be very different to the more traditional works.  There is another sub genre, the sensual Regency which has become very popular in recent years.  These novels are far more explicit than the traditional Regency and the sexual relationship between the hero and heroine is key to the book.

There are some elements which are likely to crop up in all genres of Regency novels.  Many are set in, or will refer to the Ton, which means the top layer of English society.  They revolve around social activities such as balls, dinners, assemblies and other common pastimes.  Men are often involved in sporting activities.  There are detailed descriptions of fashion and a consciousness of social class and the rules of behaviour.  The difference between them is that in traditional Regencies the heroine is likely to stick to them; in the modern genre pretty much anything goes.

The shift in the genre seems to have come about because of a slump in the popularity of Regencies in the 1990s.  Some authors began incorporating more sex into their novels and while lovers of traditional Regencies disliked it, publishers and readers seemed to approve and the Regency novel got a new lease of life.

I grew up reading Georgette Heyer and owned every one of her books in paperback – I still have some of them and still read them from time to time.  They are, for me, the ultimate comfort book – the only other series which comes close are P G Wodehouse’s tales of Jeeves and Wooster.  These are the books I’ll turn to if I’m ill or miserable or sometimes just because my brain hurts and I can’t focus on anything else.  They are written to entertain and with their quick dialogue and comedic moments they never let me down.

I wrote my first Regency novel for the Mills and Boon market during the years I was trying to find a traditional publisher.  I’d tried several other novels, including at least two contemporary ones which are never going to see the light of day again, and had joined the Romantic Novelists Association new writers scheme.  After very positive feedback on both A Respectable Woman and A Marcher Lord it was suggested that I try to adapt these to Mills and Boon.  I did try, but it couldn’t be done.  It appeared that I simply could not have a heroine who defended herself very capably against attack; it was the job of the hero to rescue her and Jenny Marchant simply wouldn’t wait.  In fact she was more likely to do the rescuing.  Philippa Maclay was even worse, she didn’t make it through two chapters without doing something so appalling that it put her beyond hope of redemption.  If I rewrote these characters then I would be writing a different book.  I gave it up and decided to start from scratch.

Out of that decision came Cordelia Summers and Giles Fenwick of The Reluctant Debutante.  Once I got into the swing of it I really loved writing this book.  It’s fun and fairly light hearted.  I was already doing a lot of research into the period for my series set during the Peninsular war and that fitted very well with a Regency so it wasn’t that much extra work.  And the fast paced dialogue and witty characters of the Regency genre exist in all my books, no matter which period they’re set in.  I realise that those years of reading Georgette Heyer and Dorothy Dunnett have affected the way all my characters speak.  They may have different accents and different levels of education, but most of them are smart mouths.  

I had a lovely response from Mills and Boon on the Reluctant Debutante.  It was a no, but a very detailed no.  They liked the setting and the characters and even the plot, but once again my characters let me down.  There was not enough internal conflict between them, it seemed; most of their difficulties were external and their way of overcoming them was not dramatic enough.  Could I rewrite it to include more conflict between Cordelia and Giles?

I did try.  I wrote a selection of scenes for them.  The trouble was, trying to fit them into the book made no sense whatsoever.  I’d already created these people and their responses to events grew out of their essential character.  Cordelia might have flatly refused to see Giles after their quarrel and there could have been weeks of agonising and misunderstandings.  But there wasn’t.  Cordelia was as mad as a wet hen but once she saw him again, she didn’t have it in her not to listen to his explanation.  She’s a practical girl with a wealth of common sense.  She simply can’t behave like a drama queen.

So Giles and Cordelia remained as themselves and I published the book pretty much as I’d originally written it, with the removal of one or two completely gratuitous sex scenes which didn’t seem to add anything to the plot.  I’ve been delighted with people’s response to it.  So far it’s the best selling of all the books although the others are starting to catch up and readers seem to love it.  

The amount of sex in my books varies a fair bit and for me that reflects reality.  Everyone is different in how they feel about sex both in books and in real life.  It’s not hard for me to write about sex; I used to be a relationship counsellor so I’m difficult to shock.  At the same time I need my characters to develop their own attitudes towards sex and it needs to fit within the social norms of the time and one of the most important things to remember is that there was no reliable form of contraception available to any of my heroines which meant that there was an enormous risk involved in illicit sex.

Jenny and Will in a Marcher Lord are very compatible.  He’s around thirty, never been married although knows he should be for dynastic reasons, and likes women.  You have the sense he had a good relationship with his mother and adores his younger sister, so he’s likely to be fairly respectful around women although given his age and status there have definitely been a few adventures along the way.  He’s not particularly a womaniser despite some of his cousins jokes about it and he knows how to behave.  Jenny on the other hand grew up in a loving family where marriage wasn’t really an issue which has given her a very untraditional view on marriage and sex.  Circumstances rather than morality dictate the progress of Jenny and Will’s relationship and they understand each other very well.

For Philippa and Kit, sex is a very different issue since at the start their entire relationship is based around his attempt to persuade her to be his mistress and her steadfast refusal.  Their stances on this are very traditional for the time but there are a lot of other reasons why a sexual relationship is complicated for this couple and it was quite hard to write about at times.  Certainly this was not a couple who were going to fall into bed every five minutes, that’s not what their story is about.

Giles and Cordelia are also fairly traditional.  Giles might forget his manners from time to time but he understands what is expected of him.  They are strongly attracted to one another but their relationship takes a fairly traditional course, for the first half of the book at least.

An Unconventional Officer - love and war in Wellington’s army
Book 1 in the Peninsular War Saga

Paul and Anne are very different.  Technically, An Unconventional Officer could be considered a Regency given the period but it is not; it’s a love story but it’s also the story of two very individual people and their experiences in the army during Wellington’s Peninsular wars and the Ton and Almack’s don’t really feature.  When Anne and Paul meet there is no question of a romantic relationship between them; he’s married and she’s going to be soon.  But of all of my characters, Paul and Anne are by far the most openly physical in their relationship.  He is a shameless womaniser with a string of broken hearts behind him and she is young and inexperienced but neither of those things really matters.  For Paul and Anne the chemistry is instant and undeniable and completely irresistible.  It is also really obvious to everybody around them.  It isn’t hard writing love scenes for Paul and Anne, the difficulty is trying to get them to behave with any degree of propriety at all.

I suspect The Reluctant Debutante falls somewhere between the old and the new when it comes to Regency.  I do like my heroines to have something more about them than a pretty face and good manners, but on the whole I’ve allowed Cordelia to be fairly well-behaved in public although privately she’s a little different.  She’s very grown up but she’s also led a sheltered life in comparison to all three of my other heroines and she behaves accordingly.  It was nice to write something normal for a change…

My new Regency has the working title of A Regrettable Reputation and it’s early days yet but at least some of it is likely to be set in Yorkshire.  Sophia Dorne is very different to Cordelia both in circumstances and in character.  Nicholas Witham is nothing like Giles, having neither his fortune nor his arrogance although they do have some things in common.  I’m looking forward to seeing how things work out for them.

Watch this space…

 

 

 

 

 

 

 

 

 

An Uncommon Campaign – Book Three of the Peninsular War Saga

Sir Arthur Wellesley, later the Duke of Wellington

An Uncommon Campaign is now published on Amazon Kindle and will shortly be available in paperback.

An Uncommon Campaign, 110th at the Battle of Fuentes d'Onoro
An Uncommon Campaign, 110th at the Battle of Fuentes d’Onoro

It is April 1811.  Lord Wellington has led his army to the Spanish border where the French occupy their last stronghold in Portugal at Almeida. As the two armies face each other in the village of Fuentes de Onoro, Colonel Paul van Daan is trying to become accustomed to his new responsibilities in command of a brigade and is learning to manage the resentment of other officers at his early promotion.  His young wife is carrying her first child and showing no signs of allowing her delicate situation to get in the way of her normal activities much to the horror of the rest of the army. And if that is not enough, Paul encounters a French colonel during battle who seems to have taken their rivalry personally with potentially lethal consequences for the Third Brigade of the Light Division.

The third book in the Peninsular War Saga will be published at the end of July 2017.

An Irregular Regiment
Book 2 of the Peninsular War Saga

An Irregular Regiment, Book Two will be published on 4 July 2017

 

 

 

 

 

In the run up to the publication of An Irregular Regiment, there will be a free promotion of An Unconventional Officer from 16 – 18 June 2017.

An Unconventional Officer
Book 1 of the Peninsular War Saga

A Matter of Intelligence – Wellington on Twitter

Wellington’s HQ in Pere Negro, the Lines of Torres Vedras

I first wrote A Matter of Intelligence – Wellington on Twitter last year and as today is the anniversary of the great man’s death I thought I would share it again.

Military Intelligence in the early nineteenth century was a little haphazard to say the least.  Wellington made use of local Portuguese and Spanish guerrillas who provided him with information about French troop movements.  He also had a Corps of Guides which performed a wide variety of duties of which intelligence and map-making was one.

Initially the Corps only had a sergeant, a corporal and 18 troopers. It was commanded from 1808 to 1814 by Major (later LtCol) George Scovell, seconded from the Portuguese Quartermaster-General’s Department. Wellington expanded and transformed the Corps into a military intelligence corps.  Around 15 officers, English and Portuguese, were appointed to the corps between 25 April and 3 June 1809; many more enlisted men were also added and, in 1813, the corps had 12 officers and 193 men. In 1808-1810 the corps was mostly Portuguese, its officers being generally students of the University of Coimbra. All were to speak both English and Portuguese. Later recruits were often foreign deserters or Spaniards, recruited to gather information for the Anglo-Portuguese Army in Spain and southern France.

The Corps employed a number of ‘exploring officers’, chosen for three distinct skills: they were expert horsemen, skilled linguists, and able to express themselves in writing or sketching in the briefest and most concise terms.  One of the first duties in the winter of 1810 when there was little fighting, was for the exploring officers to map every bit of the Portuguese countryside four miles to the inch. They accomplished this with the help of local inhabitants who often knew their own immediate area  never travelled beyond the sight of their villages or farms.

With the countryside mapped, the exploring officers were sent out on
reconnaissance, moving behind enemy lines, learning troop movements and strategic information and then bringing the information back to Wellington.  They led lonely and often dangerous lives and received little reward or recognition for it.  Some were even shunned by their former regiments who took the view that they had avoided the dangers of the battlefield but Wellington had enormous respect for them.

These days, so much intelligence is online, and there is a good deal of debate about personal privacy on the internet and how it can be balanced against national security.  Wellington’s needs were much simpler.  He needed men to gather the information, he needed Portuguese and Spanish partisans to capture French messengers and bring him their despatches.  And he needed a code breaker to make sense of them.  He found that in Major George Scovell, an unassuming officer of the quartermaster-general’s department who became a crucial player in Wellington’s winning the war.

I find myself speculating, between my writing, my research and reading news reports, on how different things were for Wellington and his army.  Messages were sent by semaphore or carried by riders and there was nothing instant about them.  News or orders from London took weeks to arrive and the officers of Wellington’s army were often ignorant of the latest news and of their general’s plans which they found very frustrating.  Not that modern methods of communication would have helped them.  Lord Wellington was notorious for failing to consult or inform his officers, with the exception of a privileged few.  He was a private man and it would not have occurred to him to share his thoughts or opinions with the majority of the army.  Twitter would not have been for him.  But I’ve been amusing myself today, reading some of Donald Trump’s latest efforts, trying to imagine what it would have been like if he had…

Wellington on twitter

@Craufurdlightdivision: Camped at Almeida outside fort

@Wellingtonhq: When you say outside fort do you by any remote chance mean outside the actual fortress? What are you doing on that side of the river General? Did you not understand my very

@Craufurdlightdivision: Sir only 140 characters, remember?

@Wellingtonhq: 140 characters? How can I be expected to give orders in 140 characters? This is completely absurd, where are you? Where are the French? Have you made contact with Picton? You

@Craufurdlightdivision: You need to keep it shorter, Picton an arsehole, think French approaching, might need to go, brb

@Wellingtonhq: What do you mean Picton an arsehole, dear God if the enemy is approaching and you have no support you need to get them out of there! Why are you on that side of the river? Retr

@Craufurdlightdivision: Busy here, sir, retreating over the river, very outnumbered, BFN

@Wellingtonhq: BFN what in God’s name does that mean? What numbers? How are they formed? Do you have cover? How can I give orders without any information, General, this is serious! Get th

@Craufurdlightdivision: Shit the bridge is blocked need to go BFN

@Wellingtonhq: Craufurd listen to me! Are you there? Speak to me! How dare you pi me in the middle of my orders! You forget yourself, sir! You are too rash, too ready to throw your men into bat

@Wellingtonhq: God damn it why will this thing never let me finish a sentence? Craufurd answer me!

@Craufurdlightdivision: #ohshit #thatwasclose #nearlylostlightdivision

Wellington (to his ADC): Freemantle, would you be a good fellow and check those bushes for my phone? No not those ones, Captain, those over there. I threw it quite hard. And send a message to General Craufurd by semaphore, would you?

For regular updates on this site including history, travel, book reviews and plenty of labradors (and a few freebies thrown in) please join the e-mail list here.

 

 

 

 

The Peninsular War Saga:The Joy of a Series…why one book sometimes isn’t enough…

Cannon

Many thanks to all of you downloading An Unconventional Officer, the first book in the Peninsular War saga.  I really hope you enjoy it.  It’s a long book and it’s the first in a series so I am hoping that you make a connection with the characters and want to read on.  Discovering a new series of books is something of a commitment.  You can read one book, put it to one side with a smile or a shrug, and not worry about it any further.  But to read a series, the story and the characters have to matter.

All of my characters matter to me but I probably have more invested at the moment in Paul and Anne in An Unconventional Officer because I know a lot more about them.  I’ve worked out where they are going and what happens to them and I know what they have to face along the way.  I know about their friends and their family and their children.

I love reading a series.  There’s a real sense of anticipation about the next book.  In terms of historical novels, these are my favourites, in no particular order:

Sir Robert Carey and the James Enys series by P F Chisholm (Patricia Finney)

Falco and Flavia Alba novels by Lindsey Davis

Brother Cadfael novels by Ellis Peters

Lymond and Niccolo series by Dorothy Dunnett

Amelia Peabody novels by Elizabeth Peters

The Barforth family saga by Brenda Jagger

There are a lot of others but these are definitely my favourites.  I quite enjoy some other series as well.  I like thrillers, and I enjoy Val McDermid, Jeffrey Deaver, Tony Hillerman, Jonathan Kellerman, Colin Dexter, P D James, Tess Gerritson and Elizabeth George.

Sometimes a series starts well and then tails off so that I lose interest.  That definitely happened with the Alex Cross series by James Patterson.  I enjoyed the early ones enormously but then for me, the stories became too similar or sometimes too bizarre, in an effort to keep the series going.  Sometimes I suspect it is time just to find an ending and move on.

Sometimes a series just wears me out.  I’m a big fan of Game of Thrones and have followed both the novels and the TV series with considerable enthusiasm.  But the last book was a struggle and although I’m still enjoying the series, I’m not sure I’ll read the next book when it arrives.  It had become unremittingly depressing and hard to follow even for me, and I’ve waited too long for it.  I think he’s an amazing writer, but I’m just done with them now.

Writing a series brings both opportunities and challenges for an author.  There are challenges of continuity, of making sure no glaring errors occur with events and characters and history.  List making, chronologies and obsessive detail is essential here.  There is the challenge of keeping your readers interest.  No matter how much your readers love your main characters, if all the books are about them and nothing else they are going to get bored.

I think historical novelists have an unfair advantage here, because unless we want to rewrite history, we can’t cheat.  The events of the day are going to happen to our characters whether we like it or not so it forces us to think about how they might genuinely affect our protagonists.  A good example of this is the growing friendship between Colonel Paul van Daan, my fictional hero of the Peninsular Wars saga and General Robert Craufurd, the irascible, brilliant commander of the light division.  There are no spoilers here.  Both Anne and Paul are very attached to Craufurd but anybody can check Wikipedia and realise that at some point they are going to get very upset.  Craufurd died in the breaches of Ciudad Rodrigo and his friends were devastated.  I can’t rewrite that to make my characters feel better…

Those are the challenges.  The opportunities are equally important.  A series means you get to find out what happens next.  You don’t have to tie up all the loose ends in one book.  You can start and end each chapter when it makes sense.  You can explore other characters alongside your leads.  And you can develop people in the way that happens in real life, gradually, in a series of conversations and events not in a three paragraph summary which is all you have time for.

The established wisdom of publishing now seems to be, that with very few exceptions, long novels don’t work.  It is assumed that modern readers simply can’t cope.  In my opinion this has more to do with publishing costs than public opinion and I do understand why a publisher who is struggling with the advent of the internet and self publishing might not be willing to take on a new author. But for me, because I’m a realist, the phrase “you’re not marketable” actually means “you’re new and therefore too much of a risk”.  And that’s fine.  I’ve accepted it and moved on.  But since I can’t stop writing, I’ve decided to put my books out there and see.  And the good news is, they’re selling.  And getting good reviews and ratings.  Not thousands of sales yet, but hundreds.  Not dozens of reviews yet but a few and very good.

“An Unconventional Officer” was a difficult novel to publish.  It’s long.  Less that the Harry Potter book “Deathly Hallows” which was for children.  Less than War and Peace or Catch-22.  About the same as Fellowship of the Ring.  I thought about splitting it into two books when I was trying to find a traditional publisher.  They would either have told me to cut it or to split it into two books.

An Unconventional Officer
Book 1 of the Peninsular War Saga

In the end I’ve published it as it is.  For those of you who give it a try I hope you enjoy it.  I loved writing it and I’m looking forward to the rest of the series, most of which will be shorter books covering a shorter time period.

 

 

 

 

Creating a book – an interview with Sarah Hendy on Manx radio

Manx Radio on Douglas Head (Photo by Nigel Williams)

I had a lovely time today recording a radio interview for Manx radio with the fabulous Sarah Hendy whom I used to work with at the Sayle Gallery in Douglas.  Sarah now presents Spotlight, the stations weekly arts programme and asked me to come for a chat about my books and in particular the latest

An Unconventional Officer - love and war in Wellington’s army
Book 1 in the Peninsular War Saga

release, An Unconventional Officer.

It took me right back to my first ever post when I wrote about how difficult it was for me to ‘come out’ and admit that I write historical novels and consider myself to be an author.  I was writing when I was working with Sarah but we didn’t talk about it because at that stage only my closest friends and family knew that I wrote at all.  I’m not sure why, looking back on it, except that it is a slightly unusual hobby.  A lot of people put reading or hiking or cycling at a hobby on their CV but writing tends to raise eyebrows.

I enjoyed the interview.  It helps a lot to know the person interviewing you and Sarah and I know each other very well.  But I also enjoyed some of the questions, in particular the one about the process of creating the story.

I don’t know how other authors put together their novels.  Do they start by typing chapter one and then write through in a logical order until the end?  I’ve never been very good at doing that.  I tend to write a selection of scenes involving my characters and then string them together.  Once I’ve got a fair chunk of the book, I can go back and fill in the gaps, and a lot of rewriting is done then.

It sounds like a slightly mad way of doing things, but my books are very character driven.  One of the comments made by Sarah today was that it sounds at times as if my characters get away from me.  It’s really hard to explain it, but they do.  Sometimes they seem to behave in ways that I find very difficult to understand.  Heroes behave like idiots, heroines lose their marbles at an unexpected moment and a villain who up until now has been completely dislikable will step up and do something good which I then have to deal with.

That’s why writing individual scenes often works well for me.  I can throw a collection of people together in a situation and see how they behave.  Sometimes it works really well and I will incorporate the scene into the book and at other times I decide I don’t want to use it.  But even the unused scenes have developed relationships between my characters and I think that makes the scenes I do use a lot stronger.

The exception to this slightly off beat way of writing has been the Peninsular War Saga.  Initially I began with the same approach but once I got to grips with the research, it was obvious I needed to focus a bit better or the whole thing was going nowhere.  Lord Wellington did not hang about during the war and my poor characters are constantly on the move, constantly busy.  Scenes I particularly wanted to include needed to be ruthlessly adapted to fit in with what the commander in chief wanted.

I didn’t mind.  Wellington was giving the orders here, it’s our job just to get on with it.  In many ways it makes the whole situation more realistic.  The number of times one of my characters needs to march out to battle just as a crisis occurs at home is numerous but completely real.  It must have happened in real life, which is probably why Wellington didn’t really like his officers and men to be married at all, and if they were, preferred their families to be left at home.  He needed his army to focus and became annoyed very quickly at requests for leave to deal with family crises, romantic interludes or personal bereavement.

Wellington remained in the field for the whole of the war apart from the one occasion right at the start when he was recalled with the other commanders to answer for the fiasco of the Convention of Sintra.  While he was away Sir John Moore marched into Spain, a disastrous campaign which ended with his death at Corunna.  I rather suspect that didn’t help with Wellington’s conviction that everything tended to go wrong if he wasn’t there to personally take charge.

With the Peninsular books I now have my characters, and a fairly fixed timeline, and all I need to do is work out what happens to them during that time period.  It’s fairly obvious where Paul needs to be.  Battle follows battle and he’s going to be involved in them.  Occasionally there’s a short break during winter quarters, but I tend to find him a job elsewhere during those periods.  He doesn’t like to be bored.

I’d like to thank Sarah and Manx Radio for letting me ramble on about my books.  It’s something I love to do.  The programme is aired on Wednesday 7th June at 5.30pm.

 

Writing with Labradors… An Unconventional Officer, The Reluctant Debutante and Hilary Mantel

Lynn Bryant and Writing with Labradors
Local news story on Writing with Labradors

Writing with Labradors, and Blogging with Labradors came about as something of a joke when I was first setting up my website.  It’s proved popular and I’ve stayed with it…hence the presence of Toby and Joey in our local newspaper this week.

Anybody looking at this post is going to work out from the title that I’ve a few things on my mind this morning.  One of them is recovering from my birthday yesterday.  Not, as you might think, a wild night out on the town, but a rather lovely meal at home (main course courtesy of my son and his girlfriend, cake courtesy of my daughter) followed by Prosecco and Trivial Pursuits.  You can tell that I know how to live…

I spent some time thinking about publicity yesterday now that An Unconventional Officer has been published.  There was a nice article in our local paper the Isle of Man Examiner about the release and I’ve been asked to do Manx Radio as well.

I can remember one of the first posts I wrote on this blog talked about my concerns regarding publicity.  I’ve never been much of a self-publicist and I honestly thought I’d struggle more than I have, but I’ve made myself do it because once I had taken the plunge and published the books it seemed pointless just to let them sit there and take their chances.  And I’ve actually quite enjoyed it.  For anybody interested in psychology, marketing and reaching the right audience is a nice little challenge.  I’m still learning but I think I’m getting better.

It helps that the books are selling – not in their thousands, but steadily.  It also helps that I’ve had one or two nice reviews and some four and five star ratings on places like Goodreads and Amazon.  There’s something very encouraging about knowing that people are reading and enjoying the books enough to review them.  All my reviews are from complete strangers, I hope they have some idea how much it makes me smile.

One of the interesting things I’m learning is what people like.  I grew up with Regency novels and loved them, and I’ve read a few more recent ones.  The Reluctant Debutante was my tribute to those and I’ve been astonished at how popular it’s been.  I had already thought I would write another Regency just because they’re so much fun, but I’m already planning it.

An Unconventional Officer is also set in Regency times and although it’s a far cry from the London Season of Cordelia and Giles, it is about the war which affected everything during those years.  It’s a longer book than any of the others and is the first in a series which follows the men and women of a fictional regiment through the years of the Peninsular War.  I loved working on this book; it’s a bigger canvas with a large cast of characters and the best part is that I don’t have to say goodbye to them at the end of the book.

I’ve done a lot of research for these books.  Earlier I saw an article in the Guardian which caught my attention about the relationship between academic historians and historical novelists which I found really interesting.  I’m sure there are a lot of academics who dislike historical novels, particularly where they take very obvious liberties with history.  Equally there are non-academics who don’t like them much either.  And there are people who like science fiction and chick lit and thrillers and even, so I’m told, those who love Fifty Shades of Grey.  It takes all sorts.

I think I can understand the frustration of an academic historian.  After publishing a book which took years of painstaking research, gained excellent academic reviews and sold very few copies it must be infuriating to see a novelist selling thousands of books which claim to be based on history but which to a serious historian could seem poorly researched, wildly inaccurate and full of mistakes.

I do have a history degree so I’ve a little understanding of both sides of this argument.  The truth is that some historical novelists are not trying to be accurate, they’re just trying to entertain, putting characters in old fashioned clothing but not caring about period detail or anachronisms or accurate timelines.  It doesn’t mean people don’t or shouldn’t enjoy their books.  It just means that they’re not intended to teach people anything about history.

I’ve read some of these and personally they drive me up the wall.  I can cope with honest mistakes but in some cases I think writers might do better to turn to fantasy where anything goes.  Still, I refuse to be a snob about it.  There are also some very well respected historical novelists whose work is clearly painstakingly researched but I just don’t enjoy their style.  Many people do, it’s a matter of personal taste.

I’ve recently come across an author called Jacqueline Reiter, who has written both a biography and a historical novel about the life of John Pitt, 2nd Earl of Chatham, the elder brother of the Younger Pitt who spent much of his life in the shade of his more famous father and sibling.  I’ve now read both, and it’s confirmed what I’ve always suspected that it’s very possible to be both and excellent historian and an entertaining historical novelist.  I would defy anybody on either side of this debate to be snobbish about Earl of Shadows which is the novel or to complain that the biography the Late Lord is anything other than a well-written and very scholarly work.  Both historians and novelists could learn a lot from this writer and I hope she goes on to write a lot more.

The books I’ve written so far are period specific and most of them include some real historical characters alongside my fictional ones.  I try to research as well as I can.  For A Respectable Woman I used a lot of primary sources and for “An Unconventional Officer” I read endless accounts of the war written by the men who fought it.  The problem with these is that they are frequently contradictory in themselves; they were written years after the war and people forget.

Wellington’s letters and despatches are a goldmine of information for the Peninsular War books although they’ve obviously been edited for publication.  Even so, given the immense stress Wellington must have been under during those years, did even he remember everything?

In the end, it only matters if you want it to matter.  I love reading history, both novels and non-fiction, as long as it’s well written and enjoyable to read.  I can sift through either and find what I want and the very obvious disagreements between academics over the interpretation of events means that I don’t feel guilty about putting forward my own interpretation in a novel.  My characters might well have their own views about why something happened which contradict modern historians’ thinking, but then they’re not modern historians, sifting the evidence, they’re supposed to be ordinary people living their lives in a different time and like us they’re entitled to their opinions.

I think I’ve done enough musing about marketing and the meaning of life for a while.  Now it’s back to the writing, which in the end is what I love doing most and the reason that all this is happening.

For regular updates on this site including history, travel, book reviews and plenty of labradors (and a few freebies thrown in) please join the e-mail list here.

 

WordPress Appliance - Powered by TurnKey Linux